Around The World

“Semarang SKA Fest 2012″

My name adi,im skinhead from central java indonesia,me and some friends here have event ska fest in november 2012
pls help us to uploading this event in subcultz.com :


Semarang Ska foundation & Semarang Skinheads
Proudly present:

“Semarang SKA Fest 2012″
11/17/2012, 3PM-11PM
Venue: taman budaya raden saleh
Semarang,central java-Indonesia

Skankin all nite long with many indonesian Ska bands:
The authentics,Aimee,the siscandens,djakartalites,Appolo 10,bandung inikami orchestra,banana steadybeat,the mobsters,ibaratskata,yanto brothers,ILME,one step beyond,skatone army

And also the guest stars:
Mr T-Bone,chris murray

Tickets: IDR 65000 (presale)

Contact person:
Adi Pratama
+62 857 188 18 467

Thank you for your willingness to help us

Best regards,
Adi Pratama

Indonesia Skinhead. No Mans Land Oi!

One of the longest running Indonesian Oi! bands is No Man’s Land. Founded in 1994 they are one of the pioneers in the skinhead
scene overthere. Band based in Malang – Indonesia. Their music, started taking on a different direction and influence, after Didit (Vocal/Guitar) introduced them to Oi! music such as, The Last Resort, The Oppressed, The Strike and The 4skins, Cockney Rejects, The Business etc.
No Man’s Land : 
Didit (Vocal/Guitar) 
Didik (Drum)
Catur (Bass)
Ferry (Guitar)
Once before the three boys formed the band, fery and didik were friends in same high school, but not for didit. He knew them both as playmates at the age of 13 until they were in high school.
Didit was the one who always had musical ideas or direction not commonplace and were sometimes considered extreme to some parents in local community, but they all have the similarities in outlook on social development in which they live. All three friends liked pretty much the same music. And most of all, punk and Oi!, they liked different music too and all three were music lovers. They did not like popular music,-pop music .But liked underground music that tended not be popular music listened too by other youth around them at the time. He was always more critical of the lyrics and music of other bands that might have an influence on them.
And after they graduated from high school, they formed a band called No Man’s Land. They took this name from a war movie they had liked and all seen. No Man’s Land was a punk band they formed which was more of an upbeat, faster and more of a singa long punk rock style.
Their music, started taking on a different direction and influence. After Didit introduced them to Oi! music such as, The Last Resort, The Oppressed, The Strike and The 4skins Cockney Rejects, The Business etc.The first time they recorded it was on very basic, simple equipment. The results for the first time weren’t what they wanted. Determined to make better recordings and sound better, they kept trying, and recorded once more with some additional tracks.
In 1996, they made recording of their new songs in a better studio with better equipment. Each of them would collect a little money for the new recordngs. They all had to utilise their time very well, and work out songs faster and more efficiently. As they could not afford to many recording sessions at the new studio. the personnel at the time have become four. is Catur who encounter at the first time when No Man’s Land played in some gig, then didit offered him to join.
after the master tape was completed,. They took it to a studio which was commonly used to record/press traditional and folk songs. They made 200 copies and distributed them all friend to friend . In a true DIY punk/Oi way. It was extremely rare and unusual for a band to record and distribute their tapes without a label at that time in Indonesia. Some was merch or music from other punk distro’s etc, from other countries.
No Man’s Land formed many good friendships/relationships, in other areas of Indonesia and abroad aswell. Didit corresponded with many friends and fans. Usually writing in the letters, first by introducing his band No Man’s Land. Didit was very diligent with correspondance and keeping up with his fans letters. On average the letters would take about 2 weeks to be delivered upon receivership etc. He was diligent because letter writing was still a main source of communication. As the internet, and internet access for the common people, was still fairly rare at the time. he did it also to make sure , No Man’s Land was given some attention by other scenes, by introducing it to people around the world. And wanted people to know, there was a good and growing punk and Oi scene coming from out of Indonesia.
In 1997, a label from Malaysia offered to make a split tape album with No Man’s Land and a punk band called Karatz from Malaysia. The album was produced in Malaysia, and then distributed to various countries.For the Indonesian market , No Man’s Land would be given royalties.After the sale of 200 copies of the album. The label sent 200 printed covers of the album to No Man’s Land. Then they would make copies of the tapes in a DIY way, and then sell those copies themselves.
In 1998, No Man’s Land recorded their new album. The studio was better and more proffessional than what they had been used to before. The LP ” Grow Away From The Society ” was recorded all in a live session. In this new album they had a faster and more aggressive sound and more intense lyrics, the lyrics were alot to do with social and racial unrest at the time, commenting about riots etc. The album was released by local label, Confuse records. They took no royalties from album sales, but instead passed on the finances to friends who would later construct a record label-distro, and so develop and build it up. To later pay the recording cost of the next album. The distro serves to distribute stuffs such as tapes-cds-t shirts-button pins etc. Which would be made available for anyone to buy, also became a place for the boys to hang out, and socialise etc.
A year after that, No Man’s Land recorded for a new album once again.Called ” All Together Now “. In that album, there was alot of lyrics about the local scene in Malang. The scene was growing bigger at the time, many more punks and skins seemed to be coming up in the scene. No Man’s Land played and average of weekly gigs, but never left town. Due to work commitments, No Man’s Land only played in Malang for a while, but their merch and lp’s were sold all over by friends distro and DIY.
And then in 2001, Didit got married and so did Ferry and Didik. Didit got work out of town. Times changed, the scene seemed to slow down, and No Man’s Land were only playing on average a gig/show a month. Didits mates rarely went to see shows after a time. And Didit barely had time to go see a punk show himself anymore. His work was that full time, that he only got back to home to Malang once a week. But inbetween his and their hectic shedules, they still found a little time to get some band practice in and hang out together.
In 2005, Didit resigned from his out of town work, and started and built up a business with his wife. So then he had plenty of time to get together with his mates again. Then in 2008, No Mans Land went to record some new material after a fair hiatus, of just jamming and prac and no recording. Lyrically and musically they felt they had improved, and seemed they had improved on their sound quality. They were kind of veterans in their scene by now. They took 3 tracks from and old lp, to record on the new material. They didn’t change their sound too drastically, kept it much the same. But just made some subtle adjustments and improvements. The latest lp is scheduled to be released on a European label, and will be out at the end of 2011. No Man’s Land’s expectations for the new album will be realised against the feedback and sales from the current international skinhead scene. Didit and the boys have faith that old fans of No Man’s Land will not be dissapointed, as No Man’s Land has kept true to its lyrical and musical roots, pure , straight up Indonesian Oi!. And at the end of the day, No Mans Land are just happy to play the music they love, and have a laugh and a say. And happy that the Skins/Punks scene is still alive and kicking.
Albums
+ Separatist Tendency (Demo Tape Self-release) 1995
+ P.A.A.S.D.O (LP) KDHC Recs 1996
+ Punk Hey Punk (split cassette) Phisik Scream Ent. Malaysia 1998
+ Grow Away From The Society (LP) Confuse Recs 1998
+ All Together Now  (LP) Rawtape Recs 1999
+ Scattered Around And Buried (CD) OiShop Germany 2012
+ The Best of 1994-2012 (next on Aggro Beat Recs
Compilations
+ Saudara Sebotol (RawTape) 1998
+ Anti Disco League Vol.1 (Templecombe Recs 2006
+ Skins And Punks (CD) M2 Bootboys  Recs 2008
+ Work Together vol.1 ( Virtual Comp.)  Work Together Recs 2012
+ Made In Indonesia (next on Agrro Beat Recs late 2012
Indonesia is one of the countries with a growing skinhead scene. there are Oi! bands from this country. One of the longest running Indonesian Oi! bands is No Man’s Land. Founded in 1994 they are one of the pioneers in the skinhead scene overthere. Band based in Malang – Indonesia. Once before they formed the band, fery and didik were friends in same high school, but not for didit. He knew them both as playmates at the age of 13 until they were in high school.Didit was the one who always had musical ideas or direction not commonplace and were sometimes considered extreme to some parents in local community, but they all have the similarities in outlook on social development in which they live. All three friends liked pretty much the same music. And most of all, punk and Oi!, they liked different music too and all three were music lovers. They did not like popular music,-pop music .But liked underground music that tended not be popular music listened too by other youth around them at the time. He was always more critical of the lyrics and music of other bands that might have an influence on them.And after they graduated from high school, they formed a band called No Man’s Land. They took this name from a war movie they had liked and all seen. No Man’s Land was a punk band they formed which was more of an upbeat, faster and more of a singa long punk rock style.

Sara Silva

My name is Sara Silva and I am Portuguese. I am 29 years old and currently live in the south of Portugal in Faro. After finishing my degree in Graphic Design from the University of Algarve in 2007, started working as a freelancer in design and as a collaborator in the studio of tattoos and piercings Freak Shop, where i currently work as a full time as body piercer.
I started drawing as a child, I studied art in high school and went into graphic design.
In my illustrations use my main theme is skinhead culture composition, dynamic fruit of my artistic evolution and personal . My inspiration comes from the music I hear, the lifestyle I have, to my personal experience and artitist and my everyday struggle in life. I try to combine traditional design with more digital techniques to create a more personal and current mixture.

 

Roy Ellis Video

Roy Ellis at Skinhead Reunion 2012

Hitting the Skinhead Reunion 2012 is the legend Roy “Skinhead Moonstomp” Ellis.  Ellis, who has been on the scene since the late 60′s, will be heading to Brighton this June to shock and awe the boys and girls in attendance.  He comes tight with a new 7″ recorded for Liquidator and he’s recently finished up a music video for the single, “You Can’t Leave Now “ shot in Spain by Mobley Street’s Laurel Parker.  If you’d like to see a sample of the video, check out this ad for a piece of equipment used on set https://www.facebook.com/pages/Mobley-Street-Productions/100346513393183

Roy Ellis was the singer and songwriter for Symarip, one of the first skinhead reggae bands to specifically target the scene.  Their hits include Skinhead Girl, Skinhead Jamboree and, of course, Skinhead Moonstomp.  As a solo act, Mr. Symarip, as Roy is also known, puts on an amazing show full of energy.  If his moves don’t get you, his suits certainly will.  Each is custom made in England in the tradition of the day.  Don’t miss him and make sure you pick up a 7” before they’re gone!

 

Make sure you check out all the outta sight releases from Liquidator at http://www.liquidatormusic.com/en and if you want to see more reggae videos from Chris Murray to Los Granadians go to www.mobleystreet.com

Bootboys Chile

Well Bootboys began in April after finishing with my previous band (the bandio). I searched everywhere a guitarist until I found Chuleta members of a psychobilly band. He supported my project to make oi! British,we started writing songs with electronic drums because in my city is very difficult to find a good drummer .Then  a friend joined us, helping in the chorus  and keeps us in the band supporting at all times. After we made our first demo called “my beers, my fights” in a small study because in my city is very high the cost of a professional recording studio. After a while we recorded our first video clip, there were many problems  recording the video: infighting at the time, By the way we do feel proud to be the first skinhead  band in Chile recording a video clip (“beers everywhere”http://www.youtube.com/watch?v=-Yf0qggsTUI). After that we played in our city and then in the capital of my country. Until that moment  the guitar and bass was recording by Chuletabut finally  we found a bassist from another city called Karlos, and today we are joined by a drummer named Bryan who is from the capital.. Now we have  the second demo called “kings of the streets” and soon will record our second video “skinhead rock” and new Bootboys’s proyects.greetings from chile!buenos bootboys comienza en el mes de abril despues de aver terminado con mi reciente banda (the bandio)busco a un guitarrista por todos lados hasta que encuentro a chuleta ex intregrante de una banda psychobilly que apoya mi proyecto de realizar oi! britanico empezamos a crear temas con bateria electronica.porque en mi ciudad muy dificil de encontrar un baterista decente, en los ensayos llega un amigo nuestro que nos ayuda en los coros y se queda con nostros en la banda apoyando  en todo momento,  despues realizamos nuestro  primer demo llamado” mis cervezas ,mis peleas” donde  el chuleta graba guitarra y bajo en un estudio pequeño porque en mi ciudad es muy alto el costo de un  estudio de grabacion profesional.despues de un tiempo grabamos nuestro primer video clip donde hubo muchos problemas al grabar el video por peleas internas en el momento ,nose sentimos orgullos en  ser la primera banda skinhead  de chile en grabar un video clip(cervezas por todas partes)despues de eso logramos tocar en nuestra ciudad y en la capital de mi pais ,y se nos une una bajista de otra ciudad llamado karlos ,con el realizamos el segundo demo llamado “reyes de las calles” y hoy en dia  se nos une un baterista llamado bryan que es de santiago y pronto grabaremos nuestro segundo video “rock skinhead” y nuevos proyectos con bootboys.saludos desde chile!

A View With NU!!! ~ #1

<- Pic of Me! 

JROCK – Good or Bad?

Japanese music started off as a mixture of popular and distinct styles, from Classical, Folk and Traditional, originating from as early as the thirteenth century. The oldest forms of Traditional and Folk music in Japan are Buddhist Chanting, Orchestral Court music and Biwa hōshi (otherwise known as stories created by Lute performances.) Into the 1960’s the Japanese youth became very influenced by the modern rock genre, as a well-known modern rock band, The Beatles, who becomeinternationally active in 1964. By the time the 80’s band ‘Japan’ appeared, Japan’s music industrywas determined to show the western world their talents of making rock/punk culture internationally cultivating. Now in 2012, Japan is the second biggest music market in the world, behind the United States.

Jrock however, is a fairly new, popular choice by people from their teens to their twenties and here’s why!

This is Mana Sama, known and loved internationally from the band Moi Dix Mois. Now you may be thinking ‘My goodness he looks Pete Burns without the eye-patch’, which is what many people I showed this idol to said the first time. You may also be thinking he has taken the feminine gothic look that Dead or Alive one had and has simply put that in his own group. REMEMBER, these are biased opinions that fellow friends, family, ect, have expressed.

Here’s a fan’s strongly worded reply to the subject on biased opinions towards Jrock.

 

Rien Xi, 17, Birmingham
Common interests ~ Elegant Gothic Lolita & Aristocrat and Ouji fashion, Music (particularly Jrock and Classical), vampire, horror novels and tea!

“The people, who are quick to judge and insult Mana, obviously have no idea of the kind of person he is. Mana is an inspiration to thousands of people; he is a musician, an artist, the creator of a fashion and an intriguing human being with so much to offer to the world. Everything he does is inspiring, he has made a name for himself and has fans and followers all over the globe, so you may not like him, but you can’t deny the fact that he is talented. Those who talk badly of him because of the way he looks, without knowing anything about him, are obviously close-minded, simple and immature individuals. “Oh, he looks like Pete Burns.” Sure, maybe he does look like Pete Burns in your opinion… but what does that matter? Mana is beautiful and I feel sorry for those who can’t recognise that fact. He is an extraordinary person and he is clearly un-phased by hateful comments and opinions.  Even so, it’s quite pathetic to talk badly of somebody who looks different or is into something that you are not. It’s sad that people are still so close-minded and ignorant in this day and age.”

So many J-fans, as I call them, have participated in a wide variety of social events, such as; Gigs, Expos, Festivals and many gatherings discussing music, anime shows, fashion and most popularly the imaginative sexual stories between band members, aka ‘Fanservice’. A short while ago I was into this subculture and it took me on an extreme emotional adventure. When I had turned fourteen my gothic-cyber scene was abounded and I had found a new ‘alternative’ to become intrigued with and that was the commonly known Japanese street fashion Decora. I found out about the new exciting scene from my pen pal in China, whom herself was in high school and the same age as me. Of course due to our ridiculously random sense of humour, we clicked straight away and after 3 weeks were listening and fan-girling about the popular Jrock band ‘The Gazette’. From there I had changed my look on fashion, my future and which Japanese musician I had on my bedroom wall and had already booked a ticket to see my first live Jrock band – ‘Dio –distraught overlord-. On-top of being overly excited and screaming every 10 minutes before the gig in London, I was nervous beyond belief because of meeting a few people I knew but hadn’t met until that night. Thankfully, it all went well and to this day I still know those people who are now some of my closest friends including my boyfriend who I’ve been with for three years.  When I joined the queue outside the venue in Camden, I had heard rumours that people had camped outside for four days in the freezing cold in order to get right to the front of the stage, which until this day, I really didn’t see the point in. The whole night was fantastic, everyone really enjoyed themselves, so much so in fact, that some particularly obsessed fans were known to grope parts of the bands “private places” (yes, fans can get this horny in the pit)! It was all blood, sweat and tears when the gig was over as we were chanting for the band to come back on stage. But eventually they left, and I have to say, that was the most mad music experience of my life. Most Jrock gigs can get so wild that people get injured, mostly like metal gigs but with a lot more high-pitched screaming. But never fear, the security guards are always there to help (yeah, right). Unfortunately there are a lot of aspects about Jrock and Jfans that I don’t agree with. People often become so absorbed in the culture and its specific fashion that they take on a high school dynamic. People can get bitchy and arrogant, constantly passing judgment on any new people that don’t quite fit in with the strict unsaid rules, which from where I am is unheard of in metal gigs. And I ask you this, how do you think the band would feel if they found out about how their fans were promoting the gig experience?

Thankfully most people from the gig aren’t like that. Like i said, lots of them I’m still friends with and a lot of people agree with the problems that occur at gigs and gatherings, for instance my friend Keita who has been a lover of Jrock for over ten years –

Keita-Eiri Uesugi, 22, Boston/Lincoln

Common interests: Kamijo, reading, writing and drawing.

“For the past few years, I can quite safely say that Jrock has certainly been a big inspiration. I think, in some respects, it’s helped me to find out who I am and to not be afraid of stepping out of the box and being different; I can be myself and don’t have to feel I have to follow the crowd. Not only that, but it has helped to fuel my style of writing and the way that I draw as well and being a creative person, inspiration in the form of music is a pretty important thing. Good aspects of Jrock would have to be the appreciation that the whole songs get, from vocals, through the bass line and everything else in-between. I have found in the past, compared to western bands where the vocalist is the front man, the rest of the musicians seem to be ignored and bundled in the background… but with Jrock, it’s different. Also, there are so many styles within the Jmusic scene, that there literally is something to please everyone, whether it’s pop rock, symphonic metal and so on. Sadly, with all things, there is a downside. The level of competitiveness between fans cannot be denied and this often puts people off. Also, because the music is essentially sung in Japanese, this can course a lot of close minded people or none-listeners to turn their ears to what they do understand. “

On a lighter note though, Jrock music is a fantastic genre and has been widely recommended by such companies as Neo magazine, Kerrang and Moshi Moshi and of course, me. It has inspired me throughout the years to change my life and my career which is to work with the artist Hayao Miyazaki from Studio Ghibli.

SEE IF YOU CAN PICK ME OUT FROM THIS OLD NEO ARTICLE - 

Today’s Jrock band is Dir En Grey and their famous song- Child prey ~ Get Microsoft Silverlight

Cheers for reading, I’m Nu McAdam.

Or you can add me on Facebook~

http://www.facebook.com/profile.php?id=690460471&ref=tn_tnmn

 

 

A view with Nu / #1

Good or Bad?

Japanese music started off as a mixture of popular and distinct styles, from Classical, Folk and Traditional, originating from as early as the thirteenth century. The oldest forms of Traditional and Folk music in Japan are Buddhist Chanting, Orchestral Court music and Biwa hōshi (otherwise known as stories created by Lute performances.) Into the 1960’s the Japanese youth became very influenced by the modern rock genre, as a well-known modern rock band, The Beatles, who become internationally active in 1964. By the time the 80’s band ‘Japan’ appeared, Japan’s music industry was determined to show the western world their talents of making rock/punk culture internationally cultivating. Now in 2012, Japan is the second biggest music market in the world, behind the United States.

Jrock however, is a fairly new, popular choice by people from their teens to their twenties and here’s why!

 

 

 

This is Mana Sama, known and loved internationally from the band Moi Dix Mois. Now you may be thinking ‘My goodness he looks Pete Burns without the eye-patch’, which is what many people I showed this idol to said the first time. You may also be thinking he has taken the feminine gothic look that Dead or Alive one had and has simply put that in his own group. REMEMBER, these are biased opinions thatfellow friends, family, etc, have expressed.

 

Here’s a fan’s strongly worded reply to the subject on biased opinions towards Jrock. 

                                       

Rien Xi, 17, Birmingham
Common interests ~ Elegant Gothic Lolita & Aristocrat and Ouji fashion, Music (particularly Jrock and Classical), vampire, horror novels and tea!

“The people, who are quick to judge and insult Mana, obviously have no idea of the kind of person he is. Mana is an inspiration to thousands of people; he is a musician, an artist, the creator of a fashion and an intriguing human being with so much to offer to the world. Everything he does is inspiring, he has made a name for himself and has fans and followers all over the globe, so you may not like him, but you can’t deny the fact that he is talented. Those who talk badly of him because of the way he looks, without knowing anything about him, are obviously close-minded, simple and immature individuals. “Oh, he looks like Pete Burns.” Sure, maybe he does look like Pete Burns in your opinion… but what does that matter? Mana is beautiful and I feel sorry for those who can’t recognise that fact. He is an extraordinary person and he is clearly un-phased by hateful comments and opinions.  Even so, it’s quite pathetic to talk badly of somebody who looks different or is into something that you are not. It’s sad that people are still so close-minded and ignorant in this day and age.”

So many J-fans, as I call them, have participated in a wide variety of social events, such as; Gigs, Expos, Festivals and many gatherings discussing music, anime shows, fashion and most popularly the imaginative sexual stories between band members, aka ‘Fanservice’. A short while ago I was into this subculture and it took me on an extreme emotional adventure. When I had turned fourteen my gothic-cyber scene was abounded and I had found a new ‘alternative’ to become intrigued with and that was the commonly known Japanese street fashion Decora. I found out about the new exciting scene from my pen pal in China, whom herself was in high school and the same age as me. Of course due to our ridiculously random sense of humour, we clicked straight away and after 3 weeks were listening and fan-girling about the popular Jrock band ‘The Gazette’. From there I had changed my look on fashion, my future and which Japanese musician I had on my bedroom wall and had already booked a ticket to see my first live Jrock band – ‘Dio –distraught overlord-. On-top of being overly excited and screaming every 10 minutes before the gig in London, I was nervous beyond belief because of meeting a few people I knew but hadn’t met until that night. Thankfully, it all went well and to this day I still know those people who are now some of my closest friends including my boyfriend who I’ve been with for three years.  When I joined the queue outside the venue in Camden, I had heard rumours that people had camped outside for four days in the freezing cold in order to get right to the front of the stage, which until this day, I really didn’t see the point in. The whole night was fantastic, everyone really enjoyed themselves, so much so in fact, that some particularly obsessed fans were known to grope parts of the bands “private places” (yes, fans can get this horny in the pit)! It was all blood, sweat and tears when the gig was over as we were chanting for the band to come back on stage. But eventually they left, and I have to say, that was the most mad music experience of my life. Most Jrock gigs can get so wild that people get injured, mostly like metal gigs but with a lot more high-pitched screaming. But never fear, the security guards are always there to help (yeah, right). Unfortunately there are a lot of aspects about Jrock and Jfans that I don’t agree with. People often become so absorbed in the culture and its specific fashion that they take on a high school dynamic. People can get bitchy and arrogant, constantly passing judgment on any new people that don’t quite fit in with the strict unsaid rules, which from where I am is unheard of in metal gigs. And I ask you this, how do you think the band would feel if they found out about how their fans were promoting the gig experience?

Thankfully most people from the gig aren’t like that. Like i said, lots of them I’m still friends with and a lot of people agree with the problems that occur at gigs and gatherings, for instance my friend Keita who has been a lover of Jrock for over ten years –

 Keita-Eiri Uesugi, 22, Boston/Lincoln

Common interests: Kamijo, reading, writing and drawing.     

“For the past few years, I can quite safely say that Jrock has certainly been a big inspiration. I think, in some respects, it’s helped me to find out who I am and to not be afraid of stepping out of the box and being different; I can be myself and don’t have to feel I have to follow the crowd. Not only that, but it has helped to fuel my style of writing and the way that I draw as well and being a creative person, inspiration in the form of music is a pretty important thing. Good aspects of Jrock would have to be the appreciation that the whole songs get, from vocals, through the bass line and everything else in-between. I have found in the past, compared to western bands where the vocalist is the front man, the rest of the musicians seem to be ignored and bundled in the background… but with Jrock, it’s different. Also, there are so many styles within the Jmusic scene, that there literally is something to please everyone, whether it’s pop rock, symphonic metal and so on. Sadly, with all things, there is a downside. The level of competitiveness between fans cannot be denied and this often puts people off. Also, because the music is essentially sung in Japanese, this can course a lot of close minded people or none-listeners to turn their ears to what they do understand. “

 

 

On a lighter note though, Jrock music is a fantastic genre and has been widely recommended by such companies as Neo magazine, Kerrang and Moshi Moshi and of course, me. It has inspired me throughout the years to change my life and my career which is to work with the artist Hayao Miyazaki from Studio Ghibli.

 Today’s Jrock band is Dir En Grey and their famous song- Child prey

Thank you for reading, I’m Nu McAdam.

 

 

 

 

Indonesia Punks

Police in Indonesia‘s most conservative province have stripped away body piercings and shaved off mohicans from 65 youths detained at a punk-rock concert because of their perceived threat to Islamic values. The teens and young men were also stripped of dog-collar necklaces and chains and then thrown in pools of water for “spiritual” cleansing, the local police chief, Iskandar Hasan, said on Wednesday.

 

After replacing their “disgusting” clothes, he handed each a toothbrush and barked: “Use it.”

It was the latest effort by authorities to promote strict moral values in Aceh, the only province in this secular but predominantly Muslim nation of 240 million people to have imposed Islamic laws.

Here, adultery is punishable by stoning to death, gay people have been thrown in jail or lashed in public with rattan canes, and women must wear headscarves.

Punk rockers have complained for months about harassment, but Saturday’s roundup at a concert attended by more than 100 people was by far the most dramatic.

Baton-wielding police broke up the concert, scattering young music lovers, many of whom had travelled from other parts of the sprawling archipelagic nation.

Dozens were loaded into vans and brought to a police detention centre in the hills, 30 miles (60km) from the provincial capital, Banda Aceh, for rehabilitation, training in military-style discipline and religious classes, including Qur’an recitation.

They will be held there for at least 10 days, after which they will be returned to their parents.

One 20-year-old detainee, Fauzan, was mortified.

“Why? Why my hair?” he said, pointing to his clean-shaven head. “We didn’t hurt anyone. This is how we’ve chosen to express ourselves. Why are they treating us like criminals?”

But the police chief, Hasan, insisted he had done nothing wrong.

“We’re not torturing anyone,” he said. “We’re not violating human rights. We’re just trying to put them back on the right moral path.”

However, Nur Kholis, a national human rights commissioner, deplored the detention, saying police must explain what criminal laws were violated by the youngsters.

“Otherwise, they violated people’s right of gathering and expression,” Kholis said, and promised to investigate it.

Aceh was given semi-autonomy as part of a peace deal with Indonesia’s central government after the province agreed to end a separatist struggle in 2005.

 

were you there? if so we would love to speak to you, to get the real stories of what happened

 

anda Aceh. Rizal Adi Syaputra says he is a proud punk, but still prefers to hide his dyed red hair under a cap.

The 20-year-old is a member of one of the Aceh capital’s five punk communities that have become the latest target of the province’s Wilayatul Hisbah, or Shariah Police, and Public Order Agency (Satpol PP).

He spent 10 days in detention after being picked up by the Shariah Police, until his parents were able to secure his release.

“I was released recently,” Rizal said. “The officers did not shave my head because my mother told them she would cut my hair off herself. This is why my hair is still intact and not shaven off like my friends.

“There are punks whose heads have been shaved clean by these officers, possibly with the consent of their parents.”

Rizal said his parents were forced to sign a contract with the Shariah Police promising not to repeat his offense. But he said he still had no idea why he had been detained.

Marzuki, who is the head of investigations at Satpol PP and the Shariah Police in Aceh, told the Jakarta Globe that the raids on punks in Banda Aceh were in accordance with existing regulations in the province

“These raids have been verbally sanctioned by the Aceh governor and police chief, and we have received permission through writing from the Banda Aceh mayor,” he said, adding that young punk communities were a public nuisance.

“The presence of punks bothers the general public,” he said. “They are involved in theft, brawls, attacks and assaults in Banda Aceh and Aceh Besar. They are criminals. Their actions are against Acehnese culture and violate Islamic Shariah law.”

At least five punks are currently being “rehabilitated” at the Satpol PP offices through religious studies, Marzuki said.

“They will only be released if their parents pick them up and sign a contract promising that they will not continue what they are doing now,” he said.

“Parents have thanked us because they have been unable to knock sense into their kids who have been influenced by this punk culture.

“If we catch someone three times after having undergone rehabilitation with us, we will hand them over to the police. We only arrest those who have committed crimes.”

Rizal told the Jakarta Globe that he and five friends from the Museum Street Punks community were arrested while they were hanging out at the Blang Padang field near the city center one Saturday night.

He said he joined the punk community in 2009 because he wanted more personal freedom and an outlet to create art.

“We asked the Satpol PP officers why we were being arrested; we were just sitting there,” Rizal said.

He was speaking on the side of a demonstration on Thursday protesting the Shariah Police’s targeting of punks.

“We asked them why we were being arrested, but the Satpol PP officers stayed silent. They did not tell us anything,” he said.

“We, as members of the Museum Street Punks, have never committed any of the acts they have accused us of. We are only involved in social activities,” Rizal said, adding that he and his punk friends had even raised money for the survivors of last year’s Mentawai tsunami.

At the demonstration on Thursday, members of the five punk communities sat together and sang in protest.

The demonstration’s coordinator, 19-year-old Juanda Syahfitrah, said they were angry about the accusations by the Satpol PP and the Shariah Police that punk communities were criminal groups.

“Punk kids are not criminals. We detest the stigma that has been laid on us,” he said, adding that Banda Aceh was home to more than 100 members of different punk communities.

“We have been here forever. Why are they [the Satpol PP] only now arresting us through no fault of our own?

“We are just young people who want to create art, but not for money. We have every right to organize and express ourselves.”

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