Where the Fuck is Soho¨?
I am sure it’s in the West End¨
Jack said to Gav studying the tube map on the wall,
A bit to shy to ask adults, as Soho was known for sex shops and sleaze, not really the sort of place to encourage teenage kids to go hang around.
But where ever there was danger, there was always fun
The first time the lads had gone looking for Soho, they had studied the tube map looking for Soho station. But to no avail. Being street wise 14 year old skins, they didn’t want to have to ask a stranger and risk embarrassment, but just managed to find it by chance, wandering up through china town behind Leicester square, the shops changed from Chinese restaurants to small shops with the words, ‘Adult shop’ on the window. Handmade signs saying ´Model upstairs, above a shabby unpainted doorway, a bell hanging on the frame with exposed wires. Not really the place for a twiggy jack thought to himself. More like a model zeppelin he imagined.
Designed for ripping off rich Americans or drunks on a stag night, famous for sleazy shops and overpriced drinks in basement strip clubs. Porn cinemas and prostitution.
A few streets down, in Leicester square were the large theatres showing the Hollywood blockbusters, the caricature artists, painting pictures of ugly kids, whilst throngs of Japanese tourists photograph everything that moves, and most things that don’t. The street buskers singing the same old Beatles and Rolling Stones songs to passing tourists. Well behaved London police officers playing the part of ´Bobby´, giving directions to the tourists, desperately trying to keep the image of nice London safe for the US Dollar and Japanese Yen. Smiling kids posing by red telephone boxes, in their plastic bowler hats.
But for the young skinheads it was a different world.
SATURDAY, SKA’D 4 LIFE LIVE
INFA RIOT GIG LAST YEAR!!
Lee the singer and the band are great fellas if you have never seen INFA RIOT then I think you should try to go and see them I love all music and will never change, I feel I have certain standards as my fellow SKINHEADS but what pumps my blood as a SKINHEADS is being a individual having no one dictate to me !!!
Hope you enjoy the photos I will share with you throughout time you will see Im just ME! x
Looking forward to June and seeing you all again!!!!
Wendie and Lee (Infa Riot)
Yes Im gonna be just that one more year older on June 8th so think I be haveing it large….with you all …what a lovely buinch of people to share my birthday with!!!!
Heres a photo from last week in Carnaby street meet and greet !!!
Hope to see you guys from the last week meet at the SKINHEAD REUNION PART 2 IN BRIGHTON!!! JUNE 8-10TH!!!
Skatalites Lloyd Brevett Is Dead
Published: Thursday May 3, 2012 | 9:05 am15 Comments
Barbara Gayle, Staff Reporter
One of the founding members of The Skatalites Band, Lloyd Brevett is dead.
Brevett died at the Andrews Memorial Hospital in St. Andrew this morning at the age of 80.
In October 2001, he was conferred with Jamaica’s fifth highest honour, the Order of Distinction and in October 2010, he was awarded the Silver Musgrave Medal for his contribution to music.
The musician’s son Okine Brevett was killed in February after collecting an award on his father’s behalf at the Jamaica Reggae Industry Association Awards at Emancipation Park.
At that time, the former upright bass player of The Skatalites was said to be too ill to collect the award.
Lloyd Brevett, the upright bass player for the legendary Skatalites, has passed away at the age of 80 in St. Andrew’s Parish, Jamaica. Brevett had been hospitalized a few weeks earlier due to a series of seizures and a stroke. While he was already in poor health, Lloyd’s health began to decline following the tragic murder of his son, Okine, in February of 2012. Okine had just accepted an award on behalf of his father earlier that night, but the celebration was cut short after he was accosted not far from the Brevett home.
Lloyd Brevett’s musical legacy cannot be understated, although his name sometimes does not get as much mention as other Skatalites members. Lloyd was introduced to the bass at a young age, as his father was one of Jamaica’s first jazz bass players. His father taught a young Lloyd not only how to play bass, but also how to make his own upright bass. As a young bass prodigy, Lloyd would be exposed to many local bands and players through his father’s work, meeting other up-and-comers like future Skatalites drummer Lloyd Knibb, who was learning how to play drums from Esmond Jarrett, who was playing with Eric Dean’s band at that time. Both Knibb and Brevett would eventually go on to play with Eric Dean’s band (as well as many other club and hotel bands), and from there, both became highly sought-after musicians in Jamaica.
As the recording industry began to take off in Jamaica in the late 1950’s, Brevett found plenty of session work, where the best of the local musicians would find themselves doing many sessions together for various producers. It was at Studio One, however, where the core group of musicians that would eventually become the Skatalites recorded some of the most popular tunes of the early 60s. Sir Coxsone would play his Studio One productions at his Downbeat sound system dances, and as the local demand for buying these records grew, Coxsone figured that the people would want to know the name of the band that everyone was dancing to. Coxsone then assembled his finest group of session players, and attracted the talents of other in-demand players like Tommy McCooke (who was working in Nassau), Lloyd Knibb (who was working in Montego Bay) and Lynn Taitt (who was working with Byron Lee and Count Lasher, as well as his own groups), and thus the Skatalites were born.
Lloyd Brevett’s bass work was quintessential to the Skatalites’ sound, even though his bass lines may not always be all that easy to define. That was really his genius coming through, though. Although he learned the instrument from his father, Lloyd had been developing his own style based on all of the styles he played in his earlier career, as well as his understanding of drumming styles like burru and mento, which were uniquely Jamaican. Listening to certain Skatalites tunes, it can be quite difficult to pick out just what Brevett is playing; at times he seems to be all over the place, but it becomes apparent that every note is exactly in its place.
Brevett was also crucial in the transition from ska to rocksteady, as he was the bass player for the Soul Vendors, the studio band that rose from the ashes of the Skatalites and the Soul Brothers.
This is Lloyd Brevett’s legacy; the sublime beauty of his musicianship, a crucial foundation of the ska beat, and a true Jamaican legend. His music will live on in his numerous recordings, from ska and rocksteady to roots and dub, and his memory will endure as one of Jamaica’s best known and most-beloved bass players.
If you would like to donate money to the fund for both Okine and Lloyd Brevett (for funeral arrangements and hospital bills), please see the information listed below. Even though Lloyd was a US citizen, he was unable to receive any health or social security benefits while being hospitalized in Jamaica. His wife (Ruth Brevett) and family would appreciate any assistance during this tragic time. Rest In Peace, Lloyd Brevett.
c/o Lloyd Brevett
National Commercial Bank, Hagley Park Branch -
Hagley Park Road
Acct # 174274584
Western Union –
Ruth Brevett, Kingston Jamaica
Protect Our Children has challenged the planned visit of a British sex offender scheduled to perform at a concert in May. Jimmy Pursey, a member of the Punk group “Sham 69″, is slated to appear May 25th, at a music festival called “Punk Rock Bowling 2012″, in Las Vegas, Nevada.
In 2002, Pursey received a “Caution” from police in Weybridge, U.K., for committing an Indecent Assault on a teenaged girl. The British “Caution”, which has no corollary in the U.S., allows offenders to avoid trial if they agree to admit guilt and register with the police. They are also listed on the United Kingdom’s “Registry of Sexual and Violent Offenders”.
Correspondence sent to John Morton, Director of Immigration and Customs Enforcement (I.C.E.), renewed the group’s objection to the practice of granting visas to foreign nationals who have been registered as Sex Offenders in their homelands. The March 14th letter calls the practice “a slap in the face” to victims of sexual abuse.
In a response dated March 26, Deputy Director Peter T. Edge, said the Department of Homeland Security takes the allegations seriously, and has forwarded the information to the D.H.S. field office.
In 2010, the Brevard County charity joined other child-advocacy organizations in protesting Pete Townshend’s performance at the SuperBowl in Miami. The group, which informs local citizens about convicted child molesters, mailed a sex offender advisory to residents living in the vicinity of the stadium in Miami Gardens.
Immigration officials were also notified that permitting foreign sex offenders to enter the U.S., is in conflict, with the “Moral Turpitude” clause, found in American immigration law. Townshend, a member of the British rock band: The WHO, received a Caution in 1983 after his arrest for paying to access child pornography.
THIS INCIDENT DID TAKE PLACE, THE GIRL WAS UNDERAGE, THEREFORE LEGALLY A MINOR, AND SUFFERED TRAUMA AS A RESULT WITH LIFE LONG CONSEQUENCES NO DOUBT.
THIS BAND FULLY AND UTTERLY CONDEMNS SUCH BEHAVIOUR AND WISHES TO MAKE IT KNOWN THAT JIMMY PURSEY IS NOT PART OF THE OFFICIAL SHAM 69 LINEUP IN ANY WAY. WE ALSO WISH TO MAKE IT KNOWN THAT HE IS NOT PART OF THE STAFF OR ANY SUBSIDIARY OF THIS BAND.
ALONG WITH MANY FANS, BE THEY PUNKS, SKINS OR WHATEVER, WE TOO HAVE KIDS OF OUR OWN AND SOME HAVE GRAND KIDS TOO. AS SUCH WE DO NOT TREAT THIS AS A LIGHT HEARTED MISTAKE AND NEITHER DID THE GIRL’S PARENTS, ADDITIONALLY NEITHER WOULD YOU IF IT WAS YOUR CHILD OR FAMILY MEMBER.
THIS GIRL WAS A MINOR, AND THOUGH SOME PEOPLE MAY BRUSH THIS OFF WITH A BLIND VIEW IN SUPPORT OF THIS MAN, WE WONT.
SEEING AS WE DO HAVE SOME LYRICAL CONNECTIONS HOWEVER, WE, THE OFFICIAL SHAM 69, HAVE DECIDED THAT IN RESPECT OF OUR MORAL BELIEF AND SUPPORT WE WILL MAKE A DONATION FROM EVERY SHOW WE PERFORM, BE IT UK OR WORLDWIDE, TO THE NSPCC’S CAMPAIGN AGAINST CHILD ABUSE, AND WILL DO SO UNTIL WE RETIRE AS A BAND.
SO STAY TRUE AND STRONG AND WE’LL SEE YOU DOWN THE FRONT.
Hurry up Harry, get that Sham 69 plaque erected
1:46pm Saturday 23rd September 2006
By Yvonne Gordon
A plaque has finally been erected at The Watermans Arms in Hersham to seminal 1970s punk rockers Sham 69.
The band which which was formed in 1975 had several hits, including Hersham Boys, Hurry Up Harry and If the Kids are United.
Hersham residents association chairman, Andy Pinnick said the plaque was put up outside the pub, on Hersham Green, as a tribute to the band’s role in putting Hersham on the map. He said: “The band played there regularly when it was starting out in the mid-1970s, because all its members came from Hersham village.
“We originally wanted a blue plaque but found out from English Heritage that you had to be dead for at least 20 years! We thought green was the best colour.”
The plaque, which was funded by £200 from community donations and £100 from the residents’ association, is made of enamelled steel and is oval-shaped, 20ins by 14ins.
Pub landlord, Tony Blenkinsop, who went to school with the band’s frontman Jimmy Pursey, said although he didn’t live in the village any more, the group had made a big impact.
He said: “The cover of the band’s first album, Hersham Boys, was photographed outside The George Pub in Hersham Road, opposite our old school, Rydens. All the Hersham boys were in the picture.”
The residents’ association began discussions about the plaque in November but there was a delay after controversy caused by Pursey admitting he accepted a police caution in 2002 after forcibly kissing a 16-year-old girl in a Weybridge newsagents.
Pursey said the incident was “exaggerated”.
It’s no Sham: Hersham Boys honoured despite assault
2:07pm Thursday 4th May 2006 in
Locals will erect a plaque in tribute to Hersham punk rockers Sham 69 despite its controversial lead singer admitting to a caution for indecent assault.
The work of frontman Jimmy Pursey will be honoured along with band members Dave Parsons, Rick Goldstein, Dave Tregenna, Albie Slider and Mark Cain.
Their 70s hit Hersham Boys which contained memorable refrain “Hersham Boys, Hersham Boys, laced-up boots and corduroys” is credited with putting the town on the map.
Plans by Hersham Residents’ Association (HRA) to erect the plaque were put on hold last month after it emerged police cautioned Pursey in 2002 after he admitted he was involved in an incident in a Weybridge newsagents with a 16-year-old girl when he forcibly kissed her on the mouth an incident which left her so traumatised she left her job.
Pursey said the incident was exaggerated and added the plaque should be more about the music than the person behind it.
Since a meeting of HRA last week, members and locals have come up with the cash to fund the £300 plaque.
The plaque will go outside the Waterman’s Arms in Hersham Green and will be in place in the next three months.
Andy Pinnick, chairman of Hersham Residents’ Association, said: “Some of the people in Hersham have known Jimmy throughout his life.
“He is a little bit impulsive and over the top but he is not malicious.
“His behaviour was inappropriate and we are not condoning it but there needs to be an element of understanding.
“There is more to him than the negative headlines.” Pursey recently beat more than 600 entrants to win Virgin Radio’s competition to write the unofficial song for the England football team for the World Cup finals in Germany.
His single, which will raise cash for the Teenage Cancer Trust, will be recorded later this month and released to coincide with the start of the tournament in June.
The Skinhead Wrestler
In 1979, I was 13 years of age, and like half the kids on my estate, I became a skinhead. Down the local youth club i would just love to hang about listening to all the 2tone tracks that were being played. Going to school in my 14 hole pair of Dr Martins, Sta press trousers, school tie turned around the wrong way, so that only the thin part was showing, made me feel like a somebody.
At the age of 16, in 1982 i left school and got a job on a fun fair which, had visited Bristol for 2 weeks. After about a year and a half of travelling around the country with the fair i left, and signed on the dole for around 6 months.
By then I was 18 years of age, watching the telly one rainy Saturday afternoon, some wrestling came on the box, i remembered watching it years before with my family, and thought that I’m sure that I could do that. I decided to contact the local venue that held wrestling shows every fortnight, and asked them who the promoter was. The phone call has stuck in my memory forever, like as if it were yesterday. The guy asked if i had a portfolio which of course i said yes too, and they also said if i had any experience which i followed with another quick lie about having done judo for the last few years,
I had two days in which to get a few photos done and to sort out what i will say to the promoter when i met him. The night came for the first meeting, i showed him my photos and just blagged it whilst talking, it was arranged to meet the following Sunday in Liverpool for my 1st bout which would be in Ayr, Scotland, Determined, the next day i ordered my 1st pair of wrestling boots and shorts.
I travelled up alone, arrived in Scotland and got changed ready for my first match, to tell the truth it went so quick i couldn’t remember much about it. My opponent was a Scouse guy Robbie Brookside, I was more excited than scared, he was about the same size as me. I don’t remember much about the crowd reaction, but due to the fact I am the villain character, they always bay for my blood. The promoter said that i was ok and that the match went well, which made me think that i could make a living doing this, so i trained hard, started to make a name for myself.
In the early days of my career, my wrestling name was Hammer Head, quickly became a villain which i didn’t mind, as there’s no way i could have been one of those good guys.
A few years later i watched a new film called Romper Stomper and thought, now there’s a good idea, being that i was a villain i decided to put my wrestling kit away and purchase some new jeans, Dr Martins and a pair of bracers to which i became The Romper Stomper. The next step was to choose the right piece of music in which to walk out to, deciding there was only one track which i could possibly use, and that was the skinhead moonstomp.
In the 26 years of being a pro carreer, i travelled all over the country wrestling 7 days a week , with only Christmas day off, becoming British heavy middle weight champion, appearances on World of Sport, cable tv, sky and the local news, when the Americans visited.
I wrsesteld non stop, working with a lot of my hero’s like big daddy, giant haystacks, Kendo, Dave Fit Finley, Rollerblade Rocco and Danny Boy Collins, who was in my class at school.
I must say, that as hard as the sport can be on your body, I wouldn’t have changed any of it .
I retired in 2000 from wrestling, after having 3 back operations, so for the next 6-8 months trained other people who wanted to get into the sport.
I enjoyed helping and training people, but missed the part of entertaining,
I decided to try standup, so went to a comedy venue for an open mic session.
The spot was only on me for 10 minutes, and to tell the truth, felt like 1 hour, but I caught the bug.
Robbie Twinkle was born and I started to travel the country once again. I’ve now been entertaining audiences with my comedy show for just over 10 years .
Staying a true skinhead, since my teenage years, I have proved to the finger pointers, who prejudged us as lazy, low life, wasters,.
Never judge a book by the cover!
Roy Ellis AKA Mr Symarip
A Legend of Skinhead Reggae
When the teenage Roy Ellis set sail for a new life in the United Kingdom in 1959. He had no idea what to expect, his mother had left a few months previously, and made a home for her children to join her.
On arrival Roy settled in South London with many other Jamaican immigrants, and found it to be bleak and aggressive. Rife with racism and fear from the local people. Roy began his love of music, in church, like many other black people of the era.
“ I really started my music career in London in 1962, As a young man with full blooded music in me, not only I wanted to sing, but also wanted to play an instrument too. So I took up the Trombone. At the same time getting a few lesson from one of the masters Rico Rodriguez, In this time he just got to England, from there on I choose music as my career, singing and playing, and so it all started to where I am today.”
Reggae was finding its feet in the UK and artists were active and playing. Roy got together with some friends and set up his band, The Bees in 1964, and started to perform in small clubs around London. The Jamaican community being quite small at the time, gathered around its own culture and Reggae music. Roys band were discovered by Legendary Laurel Aitkin, who was leading the way in British/Jamaican Reggae in the early part of the 1960’s
The Bees breakthrough came with the chance to play backing band for Laurel Aitkin, who encouraged and helped this young band to climb the ladder, working as producer and promoter for his fellow Reggae musicians.
The new Reggae sound was picking up a large following from fellow council estate kids, who had created their own subculture, a fragment of the Mod culture, which came to be known as Skinheads. A mixture of white working class English kids, who loved the new sounds coming into their own area.
Although Roy, at first found it hard to find new friends, with strong racial barriers to cross. He was readily accepted within the Skinhead culture, partly because of his love of music, but mainly because he was a very good amateur boxer. Inter youth cult fighting was a big part of British youth culture during the 60’s. With the Mods and Rockers clashes on South Coast towns hitting the headlines in 1967.
“I got into the mods scene with the other english teenager who was already in it, So at last they accept me,
But why did they accept me? because I was a very good Amature boxer from Jamaica, And that`s how I got in to the mods and skinheads scene on till this day.
Someone is got to build the bridges so that we all can cross over doesn`t matter what colour we are.”
“I have very fond memories of Brighton, my mates and me would ride our scooters down from London every Friday night, go dancing in the clubs, kick some Rockers arses, well not me, I was always the guy making the others laugh, but you know, all the teenage things that people do”
With the hunger for new music in the boom years of British music, Reggae found its home and quickly swept the dance halls and charts, with people like Prince Buster, Desmond Decker, Laural Aitkin leading the way. With Infectious Rock Steady rythms.
“ Actually I haven`t done any recording in Jamaica, As I said it all started in England,But as singing and playing in a band called The Bees in 1964. We got the luck to be discovered by the one and only late Laurel Aitken who had us as his backing band,and also as our producer, and a promoter. We were touring the UK with him.
Then we got the chance to back Prince Buster, The Ethiopians, Maytals, Earol Dickson, The Pioneers, Millie Small, Owen Gray, Jackie Edwards and Desmond Dekker. Then in 1967 we met Eddy Grant, he wrote our first two hits Train tour to Rainbow city, and All Change On The Bakerloo line.
Then in 1969 I wrote Skinhead Moonstomp and Skinhead Girl, and also we recorded the Symarip debut album, Skinhead Moonstomp that went to way up in the hit chart. then it all started
Symarip, Skinhead Moonstomp album stormed the charts, which created a boom in the Skinhead Youth cult. The Vietnam war was in full swing. The hippy era began, which took the middle class mods into psychodelia and then flower power. The street kids went the other way into Skinhead working class fashion
A huge show was arranged for Wembley Stadium in 1970, which packed. One half white skinheads, the other half, Jamaicans.
“ Wembley was one of the biggest hightlights of my life, to see this unity of fans, black and white dancing to my songs”
But with the rise of violence associated, the start of football hooligans, it became impossible for Symarip to play anywhere, the press were hyping the violence as a modern menace.
“We were sent to Europe, to pioneer Reggae on the Continent. A completely new sound for them. I Moved to Switzerland, met a lovely lady who became my wife, where I still live”
In 1979 2tone bands like the Specials and Madness paid us the honour of covering some of my songs, which opened it up to a new audience and decade.
Since I`m back in 2005 a lot of great things been happening for me, I`ve been travelling the world knowing the different Countrys, meeting different people, making new friends and new fans, I got the chance to put out two albums, three singles,
Roy Ellis AKA Mr Symarip will be performing a very special live appearance on June the 9th. The event is titled ‘ The Great Skinhead Reunion’ To celebrate Roys life, The music and youth culture he Pioneered, which has spread the world, from its beginnings in London and Brighton to modern day Indonesia and Columbia. Everybody is welcome, young and old. You don’t have to wear Doc martens or be an active skinhead
GREAT SKINHEAD REUNION ACCOMODATION. i have found 2 more guest houses which are a stones throw from the venue. the first one is £65 per person for the entire weekend including friday and saturday night. there are 20 beds available for our event, so if you would like a full weekend wristband with a room , the total cost per person is £80 (nothing more to pay, this is NOT per night) The second one is double twin room. £70 per night (per room), Family room £75, this option includes breakfast, so add £15 per person for your weekend wristband per person. please contact me asap. as once these rooms are gone i will try and find some more, but dont leave it too late. for this deal please write to email@example.com
BUY TICKETS HERE
Skinhead Reunion Ticket Price £15.00 Adults
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